Notes: Weird Money with a Feminist Trumpet and Sagebrush

March 29 2025

Next to last read for the Women in Literature class. Just finished it. I loved the writing style. However, the sexist portrayal of women during the early 90s shines through in the writing. ๐Ÿคฎ๐Ÿคฎ๐Ÿคฎ

April 6 2025

Ghosts and a gigantic monitor lizard in the readings for Mondayโ€™s class. Weโ€™ll discuss creating an eco-monster. Should be fun!! ๐Ÿ–ค๐Ÿ‘พ๐Ÿ–ค

April 13 2025

I can relax. For a minute. Just finished my long paper for the Women in Lit class, due by end of day today = 1,900 words. Quick relax and then shifting to 30 pages of script for my show, The Red List, for the screenwriting class. This will add to the 30 pages previously turned in and workshopped. So Iโ€™ll have a full pilot episode when finished. 60 pages = 1 episode, 1 page = 1 minute of screen time.

April 19 2025

Last book for Women in Lit. We read 8 books and watched 2 films. Final is next week. This class has been intense. But I loved the material and the way in which it made me think. The feedback from the professor and classmates regarding my discussion comments and assignments is deeply validating. It seems folks very much appreciate my openness, vulnerability, and perspective. I still have difficulty at times accepting this about myself. ๐Ÿ”ฅโœŠ๐Ÿป๐Ÿ”ฅ

April 27 2025

Finishing the module for the required 1 credit Nevada Constitution class. The final is next week. Lillian has been asking once a week if Iโ€™m finished with this book. She loves reading about Nevadaโ€™s history. Almost done with it Lillian! ๐Ÿคฃ๐ŸŽ‰๐ŸŽ‰๐ŸŽ‰๐Ÿคฃ

Celebration โ€“ Final With a Film Analysis

April 26 2025

Just finished the Final Exam for Women in Literature. This is my tired ass kicked self celebrating. ๐ŸŽ‰๐Ÿ”ฅ๐ŸŽ‰ Now to switch to the horror story and Film Analysis paper (through a disability lens). Both due by end of the day. This semester has been intense. ๐Ÿ˜ตโ€๐Ÿ’ซ๐Ÿฅด๐Ÿ˜ตโ€๐Ÿ’ซ

One down. One to go. Film analysis through a disability lens finished and turned in. ๐ŸŽ‰๐ŸŽ‰๐ŸŽ‰ I enjoyed this one! Iโ€™m realizing that I love to analyze media (books or film) through a specific lens. Changed the title to this: Inspiration, Pity, Magic, and a Villain Roll Into a Theater โ€ฆ The other was a placeholder.

Roxana โ€“ Guide for Entrepreneurial Women

April 6 2025

Do you think this is a โ€œconduct manualโ€ or a โ€œhow toโ€ guide for entrepreneurial women?

If we want to twist the meaning of โ€œconduct manualโ€ to mean teaching a woman how to conduct herself in order to not be miserable, then itโ€™s definitely a โ€œconduct manual.โ€ Ha! However, if not twisting the definition, then I say it is a โ€œhow toโ€ guide for entrepreneurial women.

During the time of this novel, women were not allowed agency, not allowed to fully participate in the economy, nor the labor market. It was a full blown patriarchy. Roxana was in the position she was in due to the men in her life. First, her father married her off to a fool of a man. When her father died, he entrusted Roxanaโ€™s inheritance to her brother who lost it. And her fool of a husband abandoned her and their children, leaving only a small amount of money. Wollstonecraft writes that, โ€œIt would be an endless task to trace the variety of meannesses, cares, and sorrows, into which some are plunged โ€ฆ.. that they were created rather to feel than reason, and that all the power they obtain must be obtained by their charms and weaknessโ€ (The Enlightenment 174).

This leads Roxana to resort to the only capital she has, her charm and her body. I would say she learned the art of being opportunistic. However not in the bad sense of the word. She used what the men and young girls of society ingrained in them as put forth by de Beauvoir. โ€œMany are the young girls โ€ฆ who dream of being the private spectacle, the playing, the licentious masterpiece of a mature manโ€ (The Second Sex 392). She did so to survive, with perhaps a wee bit of selfishness. She may have taken it too far, but having lived through near starvation, not knowing how to pay for lodging and food; this surely propelled her further than she necessarily needed to be in relation to her wealth.

Roxana begins by telling the reader it is better to be an Old Maid than to marry a fool (Roxana 8). This would seem to be step one in the entrepreneurial guide. She then goes on to share how to be a woman entrepreneur if you unfortunately married a fool, and that fool abandons you to starve and suffer. First, one must find a relation or parish to care for the children. I personally am nauseous at the thought of this but we have choices now that were not available during Roxanaโ€™s time. We have agency, and thanks to feminism have made loads of progress.

Roxanaโ€™s husbandโ€™s brother-in-law agrees to take the children into their home (Roxana 23). Next, Roxanaโ€™s landlord begins to show kindness and generosity to her. She leans into this and into pleasing him for her and her maidโ€™s survival. Their relationship had to remain secret as the landlord was married. Definitely not in good character for that time period, or I suppose any time period. Unless youโ€™re in an ethical polyamorous relationship, that is. She no longer has to worry about food, clothing, and lodging. Once her landlord dies, she continues to move through relationships, using her body to survive and provide for herself and her maid, Amy.

Perhaps this book could have been titled, โ€œHow to Survive When You Marry a Foolโ€. Iโ€™m in a cheeky mood while writing this. I think our current state of affairs has me being a bit snarky.

On a side note, having to use oneโ€™s body in this nature may seem like a thing of the distant past. Perhaps not so. In 2006 when I divorced the fool I married in 1998, I experienced something a tiny bit similar. Absolutely everything was in my name. All assets, more importantly all debts; which far outnumbered the assets. I was left with a huge amount of debt, with he not helping with any of it. Until I could get on my feet, I allowed myself (my body) to be a part of the picture when he visited the kids because he gave me money for food and necessities. When I withdrew myself from those visits, he stopped visiting the kids and stopped with helping financially. Iโ€™m not proud of it. I hate that I did that. But a mother will do what she has to do to feed her kids and herself and to have a roof over their heads.

*This is a discussion question from my Women in Literature class at UNR. I love this class.

The Red List: Censorship โ€“ Writing a Script in Real Time

March 23 2025

First half of the pilot episode for my series is due this Wednesday. I know more than I did when I turned in the treatment on February 19th. We workshopped everyoneโ€™s treatments. And weโ€™ve learned more about setting, characters, dialogue, and world building. Iโ€™m liking the story. I mean, I wish I didnโ€™t have this factual information happening daily to pull from, but the way I process horrible things is by writing about them. Loving using my poetry friends, family, and co-workers as character inspiration.

Mae West โ€“ Agency through the Power of Sexuality

March 22 2025

This Women in Literature class is intense yโ€™all. Damn. But I am enjoying the heck out of it. I love the content, the books we are reading, and the one movie weโ€™ve watched.
I now proclaim Mae West as my spirit animal-person.

Discussion Question: Claudia Pierpont pinpoints Mae Westโ€™s sexuality as a source of her power. What reasons does Pierpont give for Mae Westโ€™s success? Use quotations and page numbers.

Mae West absolutely tapped into sexuality as a source of power. She then harnessed this power using it to springboard her to success. She began as a writer for vaudeville acts as there were no acting roles for someone like her. She perfected her playwriting skills until she broke through with writing and starring in her own movies. Mae West had a unique, distinctive style. Her โ€œstyle and content are so tightly joined that the comedy seems but a natural consequence of her remarkable bearing and physique โ€ฆ โ€œ (p 81). She was popular with young women, becoming Americaโ€™s leading actress-playwright.

โ€œSex was her subject, not her effect. And it was what she had to say about sex that was genuinely dangerousโ€ (p 83). As much as the studios censored her scripts, she did what came naturally to her and the censored content still shined through. โ€œTorpedoed content bubbled right back up in innuendo and undulationโ€ (p 90). The young women of her audience were really into her message and her distinct style, propelling her success further after the movie, Iโ€™m No Angel (1933).

Mae West grabbed the โ€œmale gazeโ€ by its gun, wrestled it to the ground, tamed it, and then turned it back on those who pointed it her direction. And she did it without even breaking a sweat! After learning about her, Iโ€m fan. I love that swagger of hers. If I feel this way, I can just imagine how the young women of the 30s felt about her.

Mae West was consistent. She discovered what worked, cultivated her distinctive style and stuck with it.

โ€œNothing about Mae West ever changed. โ€ฆ. you found what worked and you stuck to it. A lot of it was believing her act, and a lot more of it was actually being her actโ€ (p 95). Mae Westโ€™s success was a combination of her sexuality, her style, her strength, and her consistency.

Notes: The Corinthian with Disability Ethics

March 16 2025

Next up in the Women in Literature class. This class is intense! Two books remaining after this one. ๐ŸŽ‰

March 22 2025

Last week I was offered a TA (teaching assistant) spot for next semester for the Disability Ethics class. Iโ€™ll earn 1-3 credits and it looks good as part of my college experience. Iโ€™m on track to graduate Spring 2026. ๐ŸŽ‰๐Ÿ–ค๐ŸŽ‰

Monday Night Poetry Featured on ARTeffects โ€“ PBS Reno

March 22 2025

PBS Reno
Monday Night Poetry Spotlight โ€“ YouTube Upload

7 minute clip

Broadcast Date Full Episode โ€“ Sunday, March 23rd at 6:30 pm
PBS Reno Channel 5.1 or live-streaming at pbsreno.org/livestream

(images courtesy of @sidewayseightprojects )